Blandish with art but brandish the text

Looks aren’t everything. Too bad. Words count too.
I’m gazing at the graphic front page of a community newspaper. Never mind which one. The techniques I see are common to many.
What smashing news coverage!
Police break up a local drug ring. Prosecutors move to confiscate nine crack houses. Grand jurors indict 28 persons.
Photos of the defendants and a map with inset pictures of the homes engage my eye and mind. The graphics coax me to learn the story. They beckon me into the article.
This is print journalism to stop electronic news in its tracks.
Boy, howdy. Do I ever want to read the story.
But I can’t.
The first paragraph is long as a freight train when you’re stopped at a crossing with ice cream melting in the summer heat.
And there’s a word missing. Even after my mind supplies the meaning, the sentence is still awkward.
I like narrative style, when it works.
Sometimes, though, it’s best just to blurt the news out: “Cops bust drug suspects.”
As happens when any reader sees one glitch, I look for others.
The main head is dully passive.
The overline says, “Authorities disrupt alleged local crack ring.” Disrupt?!? They kicked a gang circle smack into a square.
And the named individuals deserve the softer “alleged” until proven guilty, but the general enterprise of trafficking without names attached does not.
Another line requires translation from its headlinese.
Suddenly the graphic treatment stands out more than the words.
That’s too typical these days in journalism.
TV and Internet and magazines and newspapers all show us a look.
The eye beholds a glory which fades when the content or the expression of it enters the head through the spoken or written word.
Journalists pay so much attention to appearance. They forget basics such as clarity, directness and plainspoken storytelling. Those matter as much as the graphic blandishment.
Blame specialization. We have separate desks, separate training, separate responsibilities. And in a hurry we forget to marry the specialties in a total package.
The only uniformity is in the reader or viewer, expecting the whole presentation to equal the sum of its parts.
Too bad when it doesn’t.